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중국문학 |
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[확대 보기] |
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| 제목 |
융합의 중국문학 |
| 저자 |
장춘석 |
| 정가 |
28,000 원 |
| 출간일 |
2025.02.28 |
| 부가정보 |
쪽수
: 504 쪽 || 판형 : 크라운 |
| ISBN |
979-11-7342-079-5 (93820) |
| 주문여부 |
주문가능
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중국문학은 음악·역사·사상·언어·예술 등과 매우 밀접한 관련을 갖고 있다. 문학 작품이 다른 학문과의 소통을 통해서 이루어졌기 때문에 다양한 방면의 지적 탐구가 요구된다. 그러므로 문학사조나 작품을 요해하려면 풍부한 인문학 지식과 성찰이 전제되어야 한다. 이 책은 이러한 요구에 부응하고자 집필되었다. 특히 중국의 시·사·곡·민가·설창·희곡은 각각 그자체가 음악이거나, 아니면 음악에서 기인한 것이다. 또한 춘추전국시대와 한대(漢代)를 거치면서 형성된, 음악에 대한 유가적 개념이 이후 중국문학의 성격을 결정짓는 요인이 되었다. 이러한 취지에서 본서는 지금까지 중국문학 관련 서에는 없었던 <음악> 편을 책의 맨 앞에 두었다.
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제1장 주대 문학
시대 배경 ··············································································20
제1절 음악의 원리와 작용 ·························································23
1. 음악의 원리 ······································································23
2. 음악의 기원과 사유 ····························································32
제2절 『시경』과 『초사』 ······························································48
1. 『시경』 ··············································································48
2. 『초사』 ·············································································63
제3절 산문 ···········································································68
1. 『서경』과 『춘추』 ··································································69
2. 춘추전국시대의 3대 역사서 ··················································74
3. 제자 산문 ········································································79
제2장 진한 시대 문학
시대 배경 ··············································································84
제1절 한 부 ···········································································88
1. 소체부 ·············································································88
2. 대부················································································94
3. 서정부의 흥기 ································································· 104
제2절 산문 ···········································································112
1. 정론문 ············································································112
2. 『사기』와 『한서』 ································································119
제3절 악부시 ······································································· 123
1. 악부와 악부민가 ······························································ 123
2. 「고시십구수」와 「공작동남비」 ············································· 131
3. 문인의 오언시 ································································· 134
제3장 위진남북조 문학
시대 배경 ············································································ 138
제1절 위진남북조의 시가 ························································ 143
1. 건안문학과 죽림칠현 ························································ 143
2. 좌사와 서진의 시인 ·························································· 156
3. 도연명과 동진의 시인 ························································ 157
4. 사령운 · 포조와 남조의 시인 ················································ 168
5. 영명체 시와 성률론 ·························································· 173
6. 남북조의 민가 ································································· 176
제2절 위진남북조의 부와 변려문 ··············································· 180
1. 위진남북조의 부 ······························································ 180
2. 위진남북조의 산문과 변려문 ··············································· 182
제3절 위진남북조의 소설 ························································ 192
제4절 위진남북조의 문학비평 ··················································· 198
제4장 당대 문학
시대 배경 ············································································ 210
제1절 당대의 시와 사 ····························································· 214
1. 초당·············································································· 216
2. 성당·············································································· 222
3. 중당 ············································································· 243
4. 만당 ············································································· 256
5. 사의 발생과 발전 ····························································· 264
제2절 당대의 산문과 전기소설 ·················································· 270
1. 문언의 원리와 역사··························································· 270
2. 고문운동 ······································································· 273
3. 당대의 전기소설 ······························································ 280
제3절 돈황변문 ···································································· 288
1. 돈황사본과 변문 ······························································ 289
2. 중국 언어와 서사문학의 새로운 진입 ···································· 296
제5장 송대 문학
시대 배경 ············································································ 308
제1절 송대 산문 ··································································· 312
1. 당송팔대가와 고문의 완성 ················································· 312
2. 구양수 · 소식과 송대의 문장가 ············································ 315
3. 성리학자의 글쓰기와 고문의 음악성 ····································· 325
제2절 송대의 시 ··································································· 329
1. 구양수의 송시 개척 ·························································· 329
2. 소식과 북송의 시인 ·························································· 333
3. 남송사대가와 남송의 시인 ················································· 344
제3절 송대의 사 ··································································· 348
1. 완약파와 호방파 ······························································ 348
2. 사의 새로운 도약 ····························································· 352
제4절 송대의 공연문학 ··························································· 357
1. 송대의 화본소설 ······························································ 357
2. 송대의 설창 ···································································· 359
3. 송대의 희곡 ···································································· 362
제6장 금대와 원대 문학
제1절 금대의 희곡과 시 ·························································· 374
1. 금대의 희곡 ···································································· 374
2. 금대의 시 ······································································· 375
제2절 원대의 산곡과 잡극 ······················································· 377
시대 배경 ·········································································· 377
1. 원대의 산곡 ···································································· 379
2. 원대의 잡극 ···································································· 381
제7장 명대 문학
시대 배경 ············································································ 388
제1절 명대의 시문과 노래 ························································ 393
1. 명대의 시문 ···································································· 393
2. 명대의 노래 ···································································· 401
제2절 명대의 소설 ································································ 406
1. 사대기서와 명대의 장회소설 ··············································· 406
2. 삼언이박과 명대의 화본소설 ··············································· 429
제3절 명대의 희곡 ································································ 433
1. 명초의 오대전기와 잡극 ····················································· 433
2. 탕현조와 명대 전기의 번영 ················································ 437
제8장 청대 문학
시대 배경 ············································································ 446
제1절 청대의 시문과 사곡 ······················································· 450
1. 청대의 시 ······································································· 450
2. 청대의 사곡 ···································································· 456
3. 청대의 산문 ···································································· 460
제2절 청대의 희곡과 설창문학 ·················································· 466
1. 청대의 희곡 ···································································· 466
2. 고사와 청대의 설창 ·························································· 469
제3절 청대의 소설 ································································ 472
1. 『요재지이』와 청대 단편소설 ················································ 473
2. 『홍루몽』 · 『유림외사』와 청대 장편소설 ··································· 475
3. 견책소설 ········································································ 492
참고문헌 / 495
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장춘석
전남대 박물관장 역임
현 전남대 중어중문학과 교수
현 광주향교 교수
현 인문학공동체 ‘인문지행’의 이사
대표저서
《목련설화신론目連說話新論》
《중국 인문학 읽기의 즐거움》
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